Search This Blog

Tuesday, August 23, 2011

People Who Resisted – Dith Pran: photojournalist, refugee and survivor of the Cambodian Genocide

Dith Pran: Survivor, Advocate, Photojournalist

In the 1970s, Dith Pran was witnessing his country’s violent dissolution. Cambodia lapsed into civil war, stirred up by the struggles in Vietnam that spread over national borders. Pran sent his wife, Ser Moeun Dith, and four children to the United States, but he stayed to help report on Cambodia’s civil war, believing that in order to save lives, other nations had to understand Cambodia’s state of desperation. He worked as an essential guide, note-taker, and photographer for New York Times correspondent Sydney Schanberg, who explained in an interview, “[Pran’s] mission with me in Cambodia was to tell the world what suffering his people were going through in a war that was never necessary.” Schanberg later wrote an article about Cambodia and Pran, which was turned into the 1984 movie, The Killing Fields.

In 1975, Pran unwillingly became a pawn in the radical social engineering experiment of Pol Pot, who sought to turn Cambodia into a purely agrarian society devoid of Western influence. Pot’s trigger-happy followers, the Khmer Rouge, gained control of Phnom Penh, forcing all residents out of the capital city and into a collective farm. At the forced labor camp, Pran spent four and a half years harvesting twelve hours a day with a spoonful of rice for sustenance. He did all that he could to survive, while witnessing and enduring arbitrary brutality.

At this time Cambodians were murdered for minor infractions against the regime’s doctrinaire policies; the Khmer Rouge were responsible for an estimated 2 million Cambodian deaths. Pran deemed the mass graves of Cambodians, killed by starvation, disease, guns, and pick axes, as “The Killing Fields.”

A 1974 photo by Mr. Dith of shells being fired at a village northwest of Phnom Penh. Photo: Dith Pran/The New York Times

In 1979 the Khmer Rouge lost power and Pran escaped 60 miles past the killing fields — the overwhelming evidence of genocide — and through landmine-dotted terrain to the Thai border. Soon thereafter, he reunited with his family in San Francisco.

Having survived atrocity, Pran immediately began to devote his time to helping fellow Cambodians who had suffered under the Khmer Rouge. In New York City, he founded the Dith Pran Holocaust Awareness Project to educate people on the history of the Khmer Rouge regime. He spoke also of his efforts to aid Cambodia: “The Khmer Rouge has brought Cambodia back to year zero and that's why I'm trying to bring the Khmer Rouge leaders to the World Court. Like one of my heroes, Elie Wiesel, who alerts the world to the horrors of the Jewish Holocaust, I try to awaken the world to the Holocaust of Cambodia, for all tragedies have universal implications.”

Dith Pran died on March 30, 2008, having been diagnosed with pancreatic cancer just three months earlier. Executive Editor of the New York Times, Bill Keller, explained after Mr. Dith’s death, “To all of us who have worked as foreign reporters in frightening places, Pran reminds us of a special category of journalistic heroism — the local partner, the stringer, the interpreter, the driver, the fixer, who knows the ropes, who makes your work possible, who often becomes your friend, who may save your life, who shares little of the glory, and who risks so much more than you do.”

Wednesday, August 17, 2011

This Month in Jewish Partisan History: Partisan Attack on Dereczyn, Poland (Belarus), August 1942

On the night of July 24, 1942, the ghetto of Dereczyn was liquidated; between 3,000 and 4,000 Jews were murdered and placed in a mass grave.

Before the Germans swept Dereczyn, some 250 Jews evaded execution and fled into the forests. They were assisted by another survivor, 33-year old Dr. Yehezkel Atlas who had fled from Kozlowszczyzna, in the Slonim district of western Belarus, where he saw his sister and parents murdered. He was the physician of a partisan group commanded by Pavel Bulak and Boris Bulat, and he brought the refugees from Dereczyn to the two Soviet commanders. There was already a partisan fighting group of Soviet and Polish soldiers, but Atlas announced his intention to form an all-Jewish unit, to give the survivors of Dereczyn vengeance for their murdered families.

Yehezkel Atlas
Copyright © 2011 Yad Vashem The Holocaust Martyrs' And Heroes' Remembrance Authority

Bulak dismissed him, insisting Jews were not fighters, and in any case they did not have weapons to prove themselves. Furthermore, Bulak did not want Atlas, although he was a skilled tactician, to be a partisan leader; he was essential as a physician. Dr. Atlas was adamant and convinced Bulak enough that the commander sent the Jewish men to prove their merit on a dangerous operation — half-expecting failure. When Atlas and the others returned with newly attained arms, Bulak allocated forces for an all-Jewish partisan unit.

One Jewish partisan who came from Dereczyn, Gertrude Boyarski, described her choice to join the fighting unit under Bulak instead of the family camp:

“Sitting and hiding behind my mother's skirts didn’t feel right, I figured in the fighting unit I could get vengeance, I could do something good.”

On August 10, 1942, Dr. Yehezkel Atlas received permission to attack the Germans at Dereczyn. Under the authority of Bulak and Bulat, Atlas led 300 partisans in an armed attack on the German garrisons. They successful took control of the town, capturing 44 German policemen and killing almost 20 in the struggle. After raiding the supplies, the Jewish partisans now all had high Russian boots, leather knapsacks, shirts, and a number of small, good-quality arms and ammunition. Atlas ordered the 44 captured German policemen atop the mass grave outside Dereczyn, where they were lined up and executed.

After the operation, Atlas told his unit:

“We must not settle down and take things easy…Our struggle only began with the defeat of the Germans at Dereczyn. Your lives came to an end in the slaughter of the 24th of July. Every additional day of life is not yours, but belongs to your murdered families. You must avenge them.”
Dereczyn Synagogue, Copyright © 2008-10. Museum of Family History.

Thursday, August 11, 2011

Larry King, Liev Schreiber and Edward Zwick Join Jewish Partisan Educational Foundation to Honor All Surviving Jewish Partisans with Launch of New PSA

SAN FRANCISCO, Aug. 11, 2011 /PRNewswire-USNewswire/ — Hollywood and the Jewish Partisan Educational Foundation have joined forces to launch a unique public service announcement campaign about standing up against discrimination by honoring the Jewish partisans – thousands of World War II resistance fighters that fought back against the Nazis and saved thousands of lives. CNN anchor Larry King, actor Liev Schreiber (Salt, X-Men: Origins, Defiance), director Edward Zwick (Glory, Blood Diamond, Defiance), Rose Holm, a Jewish partisan, and her granddaughter Elisabeth Holm are all part of JPEF's grassroots initiative to bring together the last surviving partisans and their families at a gala event in New York City on November 7 in their honor. To view our public service announcement, please click: http://youtu.be/9lgqCZ6OsMk.

Larry King, a long time JPEF supporter, said, "The Jewish partisans are an important part of our history, and JPEF does tremendous work to keep their story alive and relevant with an innovative curriculum, short films and fabulous online resources. It is important to bring together as many partisans as we can for this special event on November 7."

The three-part campaign will kick off with a Web PSA designed to help locate these courageous individuals so that they may be re-united and honored with their colleagues at the tribute dinner in November. JPEF will give complimentary tickets to any partisan that wishes to attend the tribute event. The remainder of the PSA campaign will be launched later this fall and into 2012.

"By honoring these brave men and women, JPEF inspires the next generation of leaders to stand up for human rights and social justice," said Mitch Braff, founder and executive director of the Jewish Partisan Educational Foundation. "Our tribute event is a historic link to the people who are a living testament that young people can make a difference – as many of the partisans were teens."

About Jewish Partisan Educational Foundation

Since JPEF's founding in 2000, hundreds of thousands of students in schools all over the world have learned about the history and life lessons of the Jewish partisans through a dynamic curriculum targeted to 7th-12th grade students. The organization makes innovative uses of film, the Web, and an e-learning platform to teach not only the history, but what the partisans want future generations to always remember: Young people can make a difference and we must all stand up to oppression and discrimination. The organization focuses on secular, parochial, and Jewish schools as well as teen youth groups and summer camps. JPEF has been named one of the most innovative Jewish organizations the country for five years by Andrea and Charles Bronfman Philanthropies' Slingshot. To find out more about the Jewish partisans and JPEF visit, www.jewishpartisans.org, or follow us on Facebook, Twitter, and Youtube.

Friday, August 5, 2011

Jewish Partisans: Tools for Survival and Resistance - The Night

The day-to-day lives of the Jewish partisans were extraordinarily difficult. Jewish partisan units had little arms and ammunition to fight with, and when they were not fighting, they were struggling to find food for survival. They slept in the elements and had little to no medical supplies. They also had to worry about local collaborators plotting against them. Yet, the Jewish partisans evaded capture, used their resources to impede German operations, retook ghettos, killed German troops, and saved thousands of Jewish lives during World War II. They were successful for many reasons and developed many instruments for survival. One way in which the partisans had an advantage over their enemies was their use of the cover of night.

Simon Trakinski

Most partisan group activities, especially those outside of the forest, were carried out at night. Jack Kakis used the cover of night as a setting for his factory-bombing operations, Simon Trakinski's partisan group blew up train lines at nighttime, and the Bielskis used the darkness to veil their food gathering missions. Ben Kamm also led operations at nighttime, successfully freeing 600 Jews from the Janow Lubelski labor camp in Poland.

Norman Salsitz

The night was more or less a necessity for the successful conduct of operations — during the day, it was very difficult for partisans to go anywhere outside the forest without being detected. Even clear nights and the moon caused a great deal of anxiety, so the partisans would actually welcome the kinds of difficult, stormy weather they would otherwise wish to avoid. As Norman Salsitz said:

“Who was our biggest enemy? The moon. The moon was our biggest enemy… if there was a moonlit night, we couldn’t move. So the night, the blizzard, heavy snow, heavy rain, this was our friends.”

The partisans also knew that the Germans had no tactical advantage over the partisans in the dark or in poor conditions. Silvio Ortona explains their strategy:

“We defended ourselves and at night, disappeared, because we were in charge at night. Because we had people who knew everything about the region. And they didn’t move at night… because their weapon superiority was no longer applicable.”

For these reasons, nighttime was an important element for the partisans and a powerful one. Abe Asner, who repeatedly frustrated the Germans with his efficiency under the cover of darkness, describes night’s importance to partisans:

“I think, if I would write a book, the title would be, The Night is Our Mother because lots of things we used to do, at night. The night was protecting us… the night was our mother.”

For more information about the Jewish partisans, please visit the Jewish Partisan Educational Foundation's website.

Thursday, July 28, 2011

This Month in Jewish Partisan History: Nesvizh Ghetto Resistance, July 1942

The Jews in Nesvizh organized one of the first Jewish uprisings during World War II in order to resist complete liquidation of their community. Nesvizh is a small city in Belarus, over 100 kilometers southwest of Minsk, full of public parks and architectural attractions, and is passed through by a lake. On the small lake’s eastern bank the formidable Nesvizh castle, a UNESCO World Heritage Site, stands tucked in between shade trees, cosseted by ramparts and canals. As a center for fairs, the town attracted artisans, horticulturalists, and farmers. Until 1942, there had been a Jewish community here for hundreds of years.

Nesvizh Synagogue, date unknown. Compiled by the members of the Nesvizh Study Group.

After the German invasion in June 1941, an aktion was ordered on Nesvizh and thousands of Jews were executed all at once in the small city. By October 30, 1941, the Jewish population in Nevizh had been reduced from between 4,500 to 5,000 to approximately 600 Jews. The remaining Jewish population was limited to a ghetto.

Anticipating a second aktion, an underground movement in the ghetto was formed to resist the community’s complete annihilation and to embody the mottos: “We shall not go like sleep to slaughter” and “Let me die with the Philistines”. Underground participants acquired arms by having weapons — including a machine gun — smuggled into the city from storehouses. Nine months later, in July of 1942, the Nesvizh ghetto began to hear of German liquidation engulfing nearby communities. They prepared for the imminent orders: digging bunkers, organizing into fighting units, and preparing additional homemade weapons like knives and hatchets. In the event of an occupation, they planned to set fire to the ghetto and break through to the forest.

On July 20th, a German commander stood outside the gates of the ghetto and announced the order to liquidate with the exception of thirty essential skilled workers. When the Germans and collaborating Belarusians infiltrated the ghetto, the Jewish resistance set their houses aflame and fought towards the gate. The Germans and Belarusians soon overpowered the resistance, killing most in the onslaught. Only twenty-five underground fighters succeeded in escaping to nearby forests.

Having endured one of the first ever ghetto uprisings, many of these survivors went on to join partisan units, including the Zhukov Otriad, and continued in the struggle to resist.

Entrance to the Nesvizh Castle, a UNESCO World Heritage Site.

This uprising is described in detail in: Cholawski, Shalom, Soldiers from the Ghetto: The First Uprising Against the Nazis (San Diego and New York: A.S. Barnes & Co., Inc, 1980).

Nesvizh, 2004.

Thursday, July 21, 2011

Partisans in the Arts: Alexander Bogen (1916-2010)

"Why would a man in grave danger create art? For an artist, the motivation to create is even more powerful than existence itself."
— Alexander Bogen.

From the series: "Partisans", 1949. Lino-cut. Copyright © 2011 Yad Vashem — The Holocaust Martyrs' and Heroes' Remembrance Authority

Alexander Bogen’s sketches during World War II show a tremendous knowledge of the human condition: an abandoned child in the streets of the Vilna ghetto, an old man who is dying, comrades drinking vodka and playing cards around a bonfire. Although condemned to record his subjects often without—or in place of—the ability to save them, his passion for art was a weapon in itself against the Nazi forces.

Alexander Bogen, unit commander of Nekama. Copyright © 2011 Yad Vashem — The Holocaust Martyrs' and Heroes' Remembrance Authority

Bogen was, however, able to save a great deal of lives through his efforts as the commander of a partisan unit. Born in 1916, Bogen grew up in Vilna, Poland, and studied painting and sculpture at Vilna’s university. When World War II began, he left and joined a partisan movement in the endless forests surrounding Lake Naroch in Belarus. Facing discrimination from the non-Jewish partisans, Bogen assisted in forming an all-Jewish otriad called Nekama, meaning Vengeance. He served as a unit commander, helping transport people from the Vilna ghetto before it was liquidated.

During the war, Bogen compulsively sketched his surroundings to document ghetto and partisan life, dropping his gun to capture his brothers in arms. In the forest he scavenged scraps of packing paper, burnt twigs, charcoal from fire to continue his representations of life. These sketches serve as an invaluable record not only of Jewish partisan life, but also of human perseverance.

Jewish Partisans, 1943. Ink on paper. Copyright © 2011 Yad Vashem — The Holocaust Martyrs' and Heroes' Remembrance Authority

Once the war was over, Bogen completed his studies at the university and worked as a professor of art. The versatility of his work after the war blossomed and Bogen became famous in Poland as an artist, set designer and book illustrator.

Alexander Bogen and his wife, Rachel, at the opening of an exhibition of his works at the Museum of the Ghetto Fighters’ House
In 1951 Bogen immigrated to Israel where he worked as a painter, sculptor and art educator. His work continued to gain recognition and was exhibited in museums worldwide. Influenced by Chagall, Matisse, and Picasso, Bogen was always learning and expanding, never tied down by one single style. He recalls, “My encounter with the abstract, lyrical art style of the ‘New Horizons’ movement, which was dominant in Israel during the years 1950-1970, was a revelation to me.” Bogen has in his lifetime created a body of work both varied and true to his passions, with great skill in sketching and range as a painter—his artwork, like many great compositions, is both lovely and terrifying.

The Deportation, 1996. Oil on Canvas

For Alexander Bogen, who wrote on his work, art fulfilled several needs:

When I asked myself why I was drawing when I was fighting night and day, [I realized] it was something similar to biological continuity. Every man is interested in continuing his people, his family, to bring the fruits of his creativity (his children) towards the future and to leave something behind… To be creative during the Holocaust was also a protest. Each man when standing face to face with cruel danger, with death, reacts in his own way. The artist reacts in an artistic way. This is his weapon… This is what shows that the Germans could not break his spirit.

For more of Alexander Bogen’s story and artwork:

His website
His partisan story
His exhibit at Yad Vashem
Featured works on the "Learning about the Holocaust through Art" website
Bogen on creating art

Wednesday, July 6, 2011

'Defiance' Director Discusses the Film's Original Opening Scene

The first scene of the film Defiance, as originally produced, opens with an elderly Tuvia Bielski (played by Daniel Craig) driving a cab in New York City. He picks up an fare — an elderly gentleman, who is a former Bielski partisan who recognizes Tuvia by his cabbie's license.

In this video shot recently in New York, Defiance director Edward Zwick discusses this scene, and why he ultimately replaced it with something that wouldn't be "comfortable" or "nice".



For more videos, including Zwick discussing Defiance, visit our youtube page. For more on Defiance — including educational material and interviews with Tuvia Bielski's brother Aron — go to jewishpartisans.org/defiance.